指揮者の身体 : 協調行為としての指揮者の身振りの分析 A Study on Coordinative Structures in Expressive Gestures Performed by a Professional Orchestra Conductor

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著者

    • 丸山 慎 MARUYAMA Shin
    • 東京大学大学院教育学研究科博士課程 Graduate School of Education, The University of Tokyo

抄録

The present study describes the physical features and the musical effects of expressive gestures performed by a professional orchestra conductor including a preliminary analysis of interpersonal relationships between a conductor and an orchestral player. I videotaped sequences of orchestra rehearsals by Michiyoshi Inoue (Conductor) and the Tokyo Philharmonic Orchestra and used this data in the following analysis. In Analysis 1, I measured the timings and the degrees of synchronization between the physical directions of a conductor and the bowing actions of a concertmaster (a principal violinist regarded as a leader of orchestra) to show the emergent processes of mutual coordinated timing structures. Results show that the largest time differences between their actions were observed on the first day of rehearsals, but those time lags were gradually reduced as the rehearsals proceeded. The longest time lags on the first day may reflect that the conductor made strong efforts to convey his musical intentions to the orchestra rather than to control the precise and/or mechanical timings for their ensemble. In Analysis 2, I sought to investigate the musical and expressive aspects of conductor's gestures on the first day. Through the detailed comparisons with a classification table of the conventional conductor's gestures compiled by Braem & Bräm (2000), the outward appearances and the musical contents of the conductor's gestures on the first day were coded. The conductor and five of orchestral players were interviewed in order to check the conductor's musical intentions underlying his gestures and the players' interpretations or impressions that were conveyed by that conductor's gestures. Findings reveal that the conductor flexibly produced many gesture variations not only in the physical appearances but also in the musical contents, which were beyond the conventional patterns. In some cases the multiple musical directions were simultaneously embodied in a conductor's single gesture in a specific manner which represented the compositional structures. Discussion of these results suggests that the conductor's gestures can be considered as dynamic activities with flexibility and simultaneous multiplicity in meaning, and that these features in the real conductor's gestures must contribute to organizing interpersonally coordinated relationships with the orchestra.

収録刊行物

  • 認知科学 = Cognitive studies : bulletin of the Japanese Cognitive Science Society

    認知科学 = Cognitive studies : bulletin of the Japanese Cognitive Science Society 11(2), 83-108, 2004-06-01

    日本認知科学会

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被引用文献:  2件中 1-2件 を表示

各種コード

  • NII論文ID(NAID)
    10013116054
  • NII書誌ID(NCID)
    AN1047304X
  • 本文言語コード
    JPN
  • 資料種別
    ART
  • ISSN
    13417924
  • NDL 記事登録ID
    7024022
  • NDL 雑誌分類
    ZS2(科学技術--心理学)
  • NDL 請求記号
    Z19-B640
  • データ提供元
    CJP書誌  CJP引用  NDL  J-STAGE 
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