Atonal "Modulation" Based on the Diatonic Set

• TAKAOKA Akira

  Columbia Univ.

抄録

The present paper proposes a hypothesis that, when we listen to atonal music, we try to refer every pitch-class set to a certain diatonic set. If this hypothesis is correct, it would be possible that calibrated probabilities are assigned to distances, or transpositions, between pitch-class sets on the circle of fifths according to some probabilistic model so that what Richmond Browne calls POSITION FINDINGS are systematically controlled in atonal contexts. In my piece Dum veneris, a "modulation" (transposition) of trichords or tetrachords occurs every measure in accordance with Poisson distribution.

収録刊行物

• 情報処理学会研究報告. MUS,[音楽情報科学]

  情報処理学会研究報告. MUS,[音楽情報科学] 19 35-39, 1997-02-20

  一般社団法人情報処理学会

詳細情報

• CRID: 1572261552106295424
• NII論文ID: 110002935414
• NII書誌ID: AN10438388
• ISSN: 09196072
• 本文言語コード: en
• データソース種別:
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