Cognitive modeling of musician's perception in concert halls

• Ueno Kanako

  Institute of Industrial Science, University of Tokyo Chiba Institute of Technology

• Tachibana Hideki

  Institute of Industrial Science, University of Tokyo Chiba Institute of Technology

抄録

In order to investigate the effect of a hall response on music players, we have made various experimental studies up to now. In order to develop this research, one of the most important subjects is to understand the musicians’ perception of the acoustic effects of halls. Musicians generally perceive the acoustic properties of a concert hall by keeping their performing action and by adjusting their playing technique subconsciously. This kind of interactive relationship between musicians and acoustic environment is really important when considering the acoustic values of concert halls for musicians. In this study, musicians’ awareness of concert halls was investigated through interview survey and the cognitive psychological phenomena of musicians were interpreted by applying the “tacit knowing” theory. Then the process to extract the musicians’ perception in experimental studies on concert hall acoustics is discussed.

収録刊行物

• Acoustical Science and Technology

  Acoustical Science and Technology 26 (2), 156-161, 2005

  一般社団法人 日本音響学会

キーワード

• Stage acoustics
• Psychological modeling
• Musicians’ perception
• Tacit knowing

詳細情報

• CRID: 1390282680065547520
• NII論文ID: 110003140539
• NII書誌ID: AA11501808
• DOI: 10.1250/ast.26.156
• ISSN: 13475177
• ISSN: 03694232
• ISSN: 13463969
• NDL書誌ID: 7263402
• Web Site: http://id.ndl.go.jp/bib/7263402
• Web Site: https://ndlsearch.ndl.go.jp/books/R000000004-I7263402
• Web Site: http://www.jstage.jst.go.jp/article/ast/26/2/26_2_156/_pdf
• Web Site: http://dl.ndl.go.jp/info:ndljp/pid/10572717
• 本文言語コード: en
• データソース種別:
  • JaLC
  • NDL
  • Crossref
  • NDL-Digital
  • CiNii Articles
• 抄録ライセンスフラグ: 使用不可