書誌事項
- タイトル別名
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- JI Kang's <<Sheng-wu-aile-lun>> : Concerning its logical development
- 〓康の「声無哀楽論」--その論理的展開を巡って
- ケイコウ ノ セイ ム アイラクロン ソノ ロンリテキ テンカイ オ メグッテ
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抄録
<<Sheng-wu-aile-lun>> is one of the most important musical writings in the history of Chinese music aesthetics. It overcame the difficulties of the Confucian view of music and established a new perspective, through an elaborated logical development. This is based on the six following theses : (i) <<mind and sound are two different things>> ; (ii) <<music has no constant correspondence with specific emotions>> ; (iii) <<music imitates nothing>> ; (iv) <<music has its own intrinsic harmonia (he)>> ; (v) <<the essence of music is to be found in a balance of emotions, or rather, the absence of emotional bias (pinghe)>> ; (vi) but at the level of its interaction with society, <<it is mind, as not bound to specific emotions, that is essential to music>>. Finally, the text prescribes the ideal way of music as a means to suggest the ideal state of mind for the purpose of cultivating life (yangsheng).
収録刊行物
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- 美学
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美学 41 (4), 11-21, 1991
美学会
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詳細情報 詳細情報について
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- CRID
- 1390282680807798784
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- NII論文ID
- 110003713976
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- NII書誌ID
- AN0020658X
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- ISSN
- 24241164
- 05200962
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- NDL書誌ID
- 3398106
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可