Diderot's Idea of "Imitation of Nature"(The First Session (General Aesthetics), 8th National Congress of the Japanese Society for Aesthetics)

• Kobata Junzo

Bibliographic Information

Other Title

• ディドローにおける自然模倣の概念(第一部会(一般美学), 美学会第八回全国大会分科会研究発表)

Abstract

In order to explain the concept of "imitation of nature", we must inquire into the significance of nature, imitation and genre as the result of imitation. "Nature", on which Diderot founded his theory, had in itself an ambiguous duplication of meaning : that is, the principle and the matter of fact. The rigorous copy of nature, which Diderot's theory had necessarily required at first, soon changed into a more loosened one and he recognized the subjective vision as another reality which was proper to fine arts. Now we will pursue after his fundamental attitude which can be found in his several treatises ; e. g. De l'interpritation de la nature, Traite du beau, Essai sur la peinture, Pensees detachees. and Paradoxe sur le comedien, etc.

Journal

• Aesthetics

  Aesthetics 8 (3), 8-14, 1957

  The Japanese Society for Aesthetics

Details

• CRID: 1390282680806926464
• NII Article ID: 110003714566
• DOI: 10.20631/bigaku.8.3_8
• ISSN: 24241164
• ISSN: 05200962
• Text Lang: ja
• Data Source:
  • JaLC
  • CiNii Articles
• Abstract License Flag: Disallowed