ANALYSIS OF THE RELATIONSHIP BETWEEN POLYCHROMATIC ARCHITECTURE AND QUARRY AREA DISTRIBUTION : Study on polychromism in the late medieval religious architecture in Tuscany Vol. I

  • YOSHIDA Kasumi
    Graduate School of Fine Arts (Architecture), Tokyo National University of Fine Arts and Music:Japan Society for the Promotion of Science

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  • ポリクロミアの使用石材の分布と使用の様態について : 中世後期トスカーナの宗教建築におけるポリクロミアに関する研究 その1
  • ポリクロミア ノ シヨウ セキザイ ノ ブンプ ト シヨウ ノ ヨウタイ ニ ツイテ チュウセイ コウキ トスカーナ ノ シュウキョウ ケンチク ニ オケル ポリクロミア ニ カンスル ケンキュウ ソノ 1

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Abstract

This paper is a study on materials that were used for elements of polychromatic religious architecture in Tuscany in the late medieval period. This study concentrates on distinguishing types of colors used for polychromy and examining the relationship with the distribution of quarry areas. Since materials used for polychromatic architecture were from neighboring quarry areas, the selection of materials was limited and color in polychromy was determined according to this selection. Serpentine was an exception because it was not taken from neighboring quarry areas but used because of its necessity.

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