アニメにおける心話的構造 : さくらももこ『ちびまる子ちゃん』について(<特集>文学の翻訳) The Structure of 'Internal Dialogue' in Animation : on SAKURA Momoko's Chibimaruko-chan(<Special issue>Translation of literature)

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This paper focuses on the structure of internal dialogue in Chibimaruko-chan, an animation made by SAKURA Momoko. The concrete characteristic is 'heart-talk', an equivalent of internal dialogue in Japanese, which is frequently employed in the field of animation. With incorporation of images and voices of radio actors and actresses, the structure of 'internal dialogue' brings us a supernatural dimension of 'reality'. Especially, the vertically or horizontally parallel lines on the characters' faces, though displayed with simplicity, depict the precise mental movement of the characters. The characteristics of such mental movement are best represented in animation when such expressive technique compounds the characters' inner voices. This paper aims to explore the meaning of Japanese animation in the modern times in order to understand these phenomena better, and to investigate the totality and the antiquity which are embedded in animation with regards to religion and philosophy.

This paper focuses on the structure of internal dialogue in Chibimaruko-chan, an animation made by SAKURA Momoko. The concrete characteristic is 'heart-talk', an equivalent of internal dialogue in Japanese, which is frequently employed in the field of animation. With incorporation of images and voices of radio actors and actresses, the structure of 'internal dialogue' brings us a supernatural dimension of 'reality'. Especially, the vertically or horizontally parallel lines on the characters' faces, though displayed with simplicity, depict the precise mental movement of the characters. The characteristics of such mental movement are best represented in animation when such expressive technique compounds the characters' inner voices. This paper aims to explore the meaning of Japanese animation in the modern times in order to understand these phenomena better, and to investigate the totality and the antiquity which are embedded in animation with regards to religion and philosophy.

収録刊行物

  • Comparatio

    Comparatio 12, 55-66, 2008

    九州大学

各種コード

  • NII論文ID(NAID)
    110007159112
  • NII書誌ID(NCID)
    AA11370798
  • 本文言語コード
    JPN
  • 資料種別
    Departmental Bulletin Paper
  • 雑誌種別
    大学紀要
  • ISSN
    13474286
  • NDL 記事登録ID
    10161319
  • NDL 雑誌分類
    ZV1(一般学術誌--一般学術誌・大学紀要)
  • NDL 請求記号
    Z22-B243
  • データ提供元
    NDL  NII-ELS  IR 
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