ブライアン・フリールの『ルーナサの踊り』と『ワンダフル・テネシー』におけるアイルランド人らしさの追求

• 菊地 幸子

  城西大学

書誌事項

タイトル別名

• Brian Friel's Search for Irishness in Dancing at Lughnasa and Wonderful Tennessee
• ブライアン・フリールの『ルーナサの踊り』と『ワンダフル・テネシー』におけるアイルランド人らしさの追及
• ブライアン フリール ノ ルーナサ ノ オドリ ト ワンダフル テネシー ニ オケル アイルランドジン ラシサ ノ ツイキュウ

抄録

Brian Friel founded Field Day Theatre Company in 1980 and tried to offer the responses to the Northern Ireland problem through art. Friel's preoccupation with defining Irishness is presented through politics, history and language especially in Translations and Making History, which were performed by Field Day. However, Dancing at Lughnasa and Wonderful Tennessee, which were both written for the Abbey Theatre and premiered in the early 1990s, move away from the historical and political dimensions and they give quite different impressions from the plays written for Field Day. Both Dancing at Lughnasa and Wonderful Tennessee are set in modern Ireland and they examine the private lives of the characters in relations to the family. Hence it seems that Friel changed his approach. Therefore, in this paper I will study these two plays and find if Friel's search for Irishness continues in them.

収録刊行物

• 英米文化

  英米文化 39 (0), 95-107, 2009

  英米文化学会

詳細情報

• CRID: 1390282680804987264
• NII論文ID: 110007227525
• NII書誌ID: AN1038003X
• DOI: 10.20802/eibeibunka.39.0_95
• ISSN: 24242381
• ISSN: 09173536
• NDL書誌ID: 10278293
• Web Site: https://ndlsearch.ndl.go.jp/books/R000000004-I10278293
• 本文言語コード: ja
• データソース種別:
  • JaLC
  • NDL
  • CiNii Articles
• 抄録ライセンスフラグ: 使用不可