書誌事項
- タイトル別名
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- The Jigsaw Puzzle-like Structure of Ligeti's Nonsense Madrigals : A Musical Realization of Alice in Wonderland through "A Long, Sad Tale"
- リゲティの《ナンセンス・マドリガルズ》におけるジグソーパズル的構造 〈第六番 長く悲しいお話〉にみる『不思議の国のアリス』の音楽化
- リゲティ ノ 《 ナンセンス ・ マドリガルズ 》 ニ オケル ジグソーパズルテキ コウゾウ 〈 ダイロクバン ナガク カナシイ オハナシ 〉 ニ ミル 『 フシギ ノ クニ ノ アリス 』 ノ オンガクカ
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During the period 1988-1993, Gyorgy Ligeti (1923-2006) composed the Nonsense Madrigals, which included six tunes for six male voices. For the text of the final tune, "A Long, Sad Tale," Ligeti borrowed from Lewis Carroll's Alice in Wonderland (1865) and his word game doublets. This paper discusses the musical structure of "A Long, Sad Tale." In the tune, Ligeti combined pulsative word-patterns of four doublets, the howling voice of the Queen of Hearts, a conversational sentence between Alice and the mouse, and a trial tale of a violent dog against the whining mouse. He highlighted the personalities of the characters, and set the text in multiple voices to create an emotional polyphony. Moreover, he created not only an elastic metrical structure in a manner through which all kinds of time signatures frequently change but also a jigsaw puzzle-like structure that was based on multiples of sixteen.
収録刊行物
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- 美学
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美学 64 (1), 83-94, 2013
美学会
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詳細情報 詳細情報について
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- CRID
- 1390001205831331840
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- NII論文ID
- 110009624866
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- NII書誌ID
- AN0020658X
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- ISSN
- 24241164
- 05200962
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- NDL書誌ID
- 024803685
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可