近代博物館の形成とその思想(1)グレートブリテンの場合 (永井進教授退職記念号) The Historical Formation of the Modern Museum and its Concepts (1)The case of Great Britain

この論文にアクセスする

この論文をさがす

抄録

Compared with other European countries, the development of arts' institutes such as academies of arts and galleries was considerably slow in Great Britain. The Crown did not actively promote and support the arts until the late eighteenth century. Instead, voluntary clubs and societies of arts became places where connoisseurs, antiquaries, art amateurs, and artists mingled. This private-sector vitality can be seen as the British enlightenment movement on the arts scene and was to have a considerable influence on the features of the British museum. This paper shows how the enlightenment formed the British Museum and analyses the changes in purchases of collections and their backgrounds in the following three phases: Firstly, Sloane's collection and natural history; secondly, antiquarian collections and the Dilettanti; and thirdly, the Elgin collection and aesthetic controversy. In conclusion, the museum formed by the enlightenment is characterized by the three concepts of an institute of scientific and aesthetic instruction, a cultural asylum, and a device for aesthetic critique in the public sphere.

収録刊行物

  • 経済志林

    経済志林 82(1・2), 207-238, 2015-03

    法政大学経済学部学会

各種コード

  • NII論文ID(NAID)
    120005594141
  • NII書誌ID(NCID)
    AN00071028
  • 本文言語コード
    JPN
  • 資料種別
    Departmental Bulletin Paper
  • 雑誌種別
    大学紀要
  • ISSN
    0022-9741
  • NDL 記事登録ID
    026250000
  • NDL 請求記号
    Z3-223
  • データ提供元
    NDL  IR 
ページトップへ