明治期工芸図案に見る東西交流の一形態 : 美術刺繍図案を例に

• 松原, 史

書誌事項

タイトル別名

• East West Exchange as Seen in Meiji Period Industrial Art Design: Form and Art Embroidery Design

抄録

Japanese embroidery was widely exported from the Meiji through the Taishō periods. It was displayed in the World Exposition, and also functioned as a gift of "Japanese Art" in diplomacy. This paper pursues an understanding of the form of East West exchange through the "icon" of "design" in the various resource materials preserved by the Takashimaya Department Store, an important producer of embroidery and those pieces that still exist. While the indicated "painting of designs" (according to Japanese painting traditions) trend widely seen in Meiji-period industry is also seen with embroidery, it also reflects the tendency for the absorbtion of Western design, and a preference for the West. The results of East West exchange can be seen in the direct and indirect influences in the "icons" of "design".

収録刊行物

• 近代世界の「言説」と「意象」 : 越境的文化交渉学の視点から

  近代世界の「言説」と「意象」 : 越境的文化交渉学の視点から 19-48, 2012-01-31

  Institute for Cultural Interaction Studies, Kansai University

詳細情報

• CRID: 1050001202911172864
• NII論文ID: 120005686833
• HANDLE: 10112/6338
• Web Site: https://kansai-u.repo.nii.ac.jp/records/2217
• 本文言語コード: ja
• 資料種別: article
• データソース種別:
  • IRDB
  • CiNii Articles
  • KAKEN