<Articles>Reconsideration of Gion Matsuri from the Perspective of Daisuke Ito's Authorship : Connections and Disconnections with 'Keiko-eiga' (tendency films)

DOI HANDLE Web Site 41 References Open Access

Bibliographic Information

Other Title
  • <論文>映画『祇園祭』を伊藤大輔の作家性から再考する -- ｢傾向映画」との接続と非接続
  • 映画『祇園祭』を伊藤大輔の作家性から再考する : 「傾向映画」との接続と非接続
  • エイガ 『 ギオンマツリ 』 オ イトウ ダイスケ ノ サッカセイ カラ サイコウ スル : 「 ケイコウ エイガ 」 ト ノ セツゾク ト ヒセツゾク

Search this article

Abstract

This paper focuses on Gion Matsuri (1968, directed by Tetsuya Yamanouchi), which was planned and made as a commemorative film for the 100th anniversary of the Kyoto Prefectural Government. Gion Matsuri was groundbreaking in that it was a film made outside the framework of the major motion picture companies, but at the same time it was a film in which the interests and political agendas of multiple organizations intersected. Daisuke Ito, original director of the film, had been conceiving the idea of this film for more than ten years, but due to various pressures and conflicts, he decided to quit the job in the middle of the shooting. Immediately after the film's release, Daisuke Ito contributed an article to a filmmagazine about the situations behind the film, to which the two screenwriters who had been criticized by Ito responded, and the long and winding 'Gion Matsuri controversy' broke out. There have been several previous studies on 'Gion Matsuri controversy' but this paper tries to re-examine this controversy, and reconsider the film Gion Matsuri from the perspective of Daisuke Ito's authorship.

Journal

  • 人文學報

    人文學報 116 183-205, 2021-03-31

    THE INSTITUTE FOR RESEARCH IN HUMANITIES, KYOTO UNIVERSITY

References(41)*help

See more

Related Projects

See more

Keywords

Details 詳細情報について

Report a problem

Back to top