風景表象と領域のフレーミング : その意義と可能性

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  • フウケイ ヒョウショウ ト リョウイキ ノ フレーミング : ソノ イギ ト カノウセイ
  • Framing of the Territory with Representations of Landscape : Its Significance and Possibility

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In the modern ages in the West, the representation of landscape has been seen in terms of a dualism: subject and object. The human being is the viewing subject, and the landscape is the viewed object. Such ideas are found both in Alberti's model of a representation constructed within a frame (like a scene viewed through a window) and in Alpers' model of a scene apparently cut off by a frame (a technique seen in the Dutch landscapes). In such works the landscape is seen from a viewpoint outside the representation, a viewpoint that might be tentatively called that of God. However, this viewpoint is not the exclusive one in all such representations. Some artists have also depicted themselves within the landscape, whether showing themselves painting or walking, and that means that there have been two types of viewpoints, one that of God, the other a viewpoint that could be called that from within the landscape — or, it could be said, within nature. In this case the relationship between human beings and nature is not a dualism; the human being frames a territory for himself or herself within nature, that very nature to which he or she belongs.

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