映画「万引き家族」の観客にとっての意味

• 上薗, 恒太郎

書誌事項

タイトル別名

• What the Film Shoplifters Means to its Audiences

抄録

Seventy-four audience living near Nagasaki City, 52.2% of whom were ladies in their 60’s, saw Shoplifters, and change of their consciousness through the film was assessed by the association method. Their response words of the association to the film by five cue words reveal that they accepted it as a family story, considering their basic response words to all cue words ‘ties’, ‘compassion’, ‘kindness’, ‘happiness’ and ‘love’. The film, which sends no direct message about ‘peace’ or ‘recognition on oneself’, brought impressions deep enough to significantly change of the concepts of the audience (p<.05) as to follows: (1) lying is not always bad, (2) peace needs, ties, happiness, calm, kindness, and love, (3) decreasing of negative reflections on themselves. Because of the concentrations to each family history of audience, the way of social and political solutions of problems in family relationships disappeared from the sphere of thought between them. And this paper concludes that there came up tetra nested structure of consciousness in the field of the film screening as a base of the deep impressions by the film.

収録刊行物

• 長崎総合科学大学紀要

  長崎総合科学大学紀要 61 (2), 55-76, 2022-01-06

  長崎総合科学大学附属図書館運営委員会

キーワード

• 観客の意識に基づく映画評価
• 連想法
• 自己意識
• 平和意識

詳細情報

• CRID: 1050572244982301952
• NII論文ID: 120007181917
• NII書誌ID: AA1274191X
• ISSN: 24239976
• Web Site: https://nias.repo.nii.ac.jp/records/860
• 本文言語コード: ja
• 資料種別: departmental bulletin paper
• データソース種別:
  • IRDB
  • CiNii Articles