シンポジウム報告:「音響メディア史とサウンド・アート―歴史・創造・アーカイブの現在」

機関リポジトリ オープンアクセス

書誌事項

タイトル別名
  • 〈Symposium〉A Report from the Symposium “Sound Media History and Sound Art: The Current Status of History, Creation and Archive”

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[Abstract] This paper is a report on the symposium “Sound Media History and Sound Art: The Current Status of History, Creation and Archives” held at the National Museum of International Art, Osaka, on February 16, 2020. In response to the development of Sound Studies in English-speaking countries, historical research into audio media, including recording technology, has been gaining momentum in Japan in recent years. Rather than audio media being viewed as “music device” exclusively, a series of discussions that attempt to see it as a historical form linked to science and philosophy, and to the transformation of human sensibilities and bodily views, have important implications that can also be linked to Visual Culture Studies, which is also experiencing remarkable development. This symposium attempts to communicate with experts in related fields, such as sound artists, record archivists, and curators, in order to re-examine the current circumstances of such studies of sound media history.

Departmental Bulletin Paper

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詳細情報 詳細情報について

  • CRID
    1050009483119830528
  • NII論文ID
    120007188566
  • ISSN
    24322938
  • Web Site
    https://kindai.repo.nii.ac.jp/records/22262
  • 本文言語コード
    ja
  • 資料種別
    departmental bulletin paper
  • データソース種別
    • IRDB
    • CiNii Articles
    • KAKEN

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