建築家・白井晟一の著作にみる習書の意味:伝統論との関連に着目して  [in Japanese] THE MEANING OF PRACTICING CALLIGRAPHY IN THE WRITTEN WORKS OF ARCHITECT SEIITI SIRAI:Focusing on the relation to the theory of tradition  [in Japanese]

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Author(s)

    • 羽藤 広輔 HATO Kosuke
    • 信州大学工学部建築学科 助教・博士(人間・環境学) Assist. Prof., Dept. of Architecture, Faculty of Engineering, Shinshu University, D. Human and Environmental Studies

Abstract

 While Seiiti Sirai was an architect, he spent a lot of time practicing calligraphy in his last years. Comparing the features of this activity with his theory of tradition, it can be said that both of his intentions are similar. In addition to the commonality of attaching importance to “utility,” according to the theory of tradition, the concept of grasping the inner potential of an object without being misled by its external form and source, can be realized by the “ascetic practices,” which can make something exceed consciousness and form by practicing calligraphy.

Journal

  • Journal of Architecture and Planning (Transactions of AIJ)

    Journal of Architecture and Planning (Transactions of AIJ) 81(719), 179-186, 2016

    Architectural Institute of Japan

Codes

  • NII Article ID (NAID)
    130005122505
  • NII NACSIS-CAT ID (NCID)
    AN10438548
  • Text Lang
    JPN
  • ISSN
    1340-4210
  • NDL Article ID
    027014011
  • NDL Call No.
    Z16-107
  • Data Source
    NDL  J-STAGE 
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