近代朝鮮における書の専業化過程とその特徴

• 金 貴粉

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書誌事項

タイトル別名

• The Process and Characteristics of Modern Korean Calligraphers Becoming Full-time Professionals
• 近代朝鮮における書の専業化過程とその特徴 : 官僚出身書人の動向を中心に
• キンダイ チョウセン ニ オケル ショ ノ センギョウカ カテイ ト ソノ トクチョウ : カンリョウ シュッシンショジン ノ ドウコウ オ チュウシン ニ
• The Emergence of Bureaucrats-turned-Calligraphers
• ―官僚出身書人の動向を中心に―

抄録

  The environment surrounding calligraphy and painting changed drastically along with the political environment from the late Joseon dynasty to the Korean Empire period. The painting bureau and SaJaChong were abolished in 1894 in the Gabo Reform and as a result, the Court Painters, SaJaGuans and other employees searched for other ways to continue practicing painting and calligraphy. Moreover, while descendants of the Yohang literati were engaged in politics as public employees and actively negotiated with other countries, they interacted with foreigners through calligraphy as well, the impact of which is confirmed in their surviving works. Given this background, I believe that at that time there were “professional calligraphers” in a broad sense, who made a living with calligraphy such as writers, connoisseurs and scholars, even if they were not what we think of as professional calligraphers today.   In the present study, based on the above premise, I mainly explore the activities of three bureaucrats-turned-calligraphers who practiced calligraphy in the late Joseon dynasty and the Korean Empire period, namely Kim Okgyun, Oh Sechang and Kim Gyujin, to reveal both the processes by which Korean calligraphers at that time became full-time professionals as well as the characteristics of their calligraphy-related activities during the colonial period.   As a result, I conclude that the origins of full-time calligraphers in the colonial period can be traced to the practices of calligraphers before colonization; the latter were mainly former bureaucrats who were also active in politics, and had both the knowledge and skills to become full-time calligraphers. Even when their country was colonized and they could no longer retain their political roles as bureaucrats, they sought ways to make a living with calligraphy in various areas. This led to the diversification of full-time calligraphers, with their works manifesting the characteristics of modern Korea.

収録刊行物

• 書学書道史研究

  書学書道史研究 2019 (29), 59-71,104-103, 2019-10-31

  書学書道史学会

詳細情報

• CRID: 1390283659847735040
• NII論文ID: 130007792973
• NII書誌ID: AA11159934
• DOI: 10.11166/shogakushodoshi.2019.59
• ISSN: 18842550
• ISSN: 18832784
• NDL書誌ID: 032114579
• Web Site: https://ndlsearch.ndl.go.jp/books/R000000004-I032114579
• 本文言語コード: ja
• データソース種別:
  • JaLC
  • NDL
  • CiNii Articles
  • KAKEN
• 抄録ライセンスフラグ: 使用不可