Pound, Yeats, Eliot and the modernist movement
著者
書誌事項
Pound, Yeats, Eliot and the modernist movement
Macmillan, 1986
1st ed
- pbk.
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book is a study of Modernism, a phenomenon which the author regards as "the principal tidal movement of poetry in English in the twentieth century" and is embodied in the work of Pound and Eliot. In the analysis he confronts such basic questions as what it means to say that Yeats was a modern poet in his time, but not a Modernist, while on the other hand, Pound and Eliot were Modernists. This in turn provides a framework for the discussion of poets like Auden and Hardy. A look at Donald Davie, both as poet and critic, illustrates what is a fairly typical example of post-war wavering between acceptance and rejection of the theory and practice of Modernism in poetry. The author wrote "The New Poetic" and a novel "All Visitors Ashore".
目次
- Part 1 1900-1925 the rise of Modernism: Yeats and Pound - the modern and the Modernist
- Yeats, Eliot, Pound - the Symbolist inheritance
- Pound, Eliot, Yeats - three post-war poems
- Eliot, Pound and "the longest poems and the English language"
- interlude, 1898-1928
- some reflections on the poetry of Hardy and Yeats. Part 2 1925-1950 - Modernism and politics: Auden and the revolutionary left
- Eliot and the revolutionary right
- Pound and the revolutionary economics
- Pound - out of the ruins
- postcript - since 1950
- the case of Donald Davie.
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