Walter Pater : the aesthetic moment
著者
書誌事項
Walter Pater : the aesthetic moment
(European studies in English literature)
Cambridge University Press, c1987
- タイトル別名
-
Walter Pater : die Autonomie des Ästhetischen
大学図書館所蔵 全34件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translation of: Walter Pater : die Autonomie des Ästhetischen
Originally published: Tübingen : M. Niemeyer, 1960
Bibliography: p. 194-204
Includes indexes
内容説明・目次
内容説明
Wolfgang Iser's study of Walter Pater (1839-94) was first published in German in 1960. It places the English critic, essayist and novelist in a philosophical tradition whose major exponents were Hegel and Coleridge, at the same time showing how Pater differed crucially from these thinkers to become representative of a late Victorian culture critically poised in transition between Romanticism and Modernism. Pater's new definitions of 'beauty' and 'style' in art, his doctrine of 'art for art's sake', his preoccupation with aesthetic existence, his fascination with periods of balance and historical transition are seen in the light of his scepticism towards all systematisation and his view of art as countering human finiteness by capturing the intensity of the moment. This important book, which remains as illuminating now as when it first appeared, will interest those interested in philosophy and aesthetics and Pater specialists alike.
目次
- Foreword
- Part I. Introduction
- Section 1. Pater Criticism
- Section 2. Historical Preliminaries: 1. Art as creation
- 2. Art as mimesis
- Part II. Autonomous Art
- Section 3. The Starting Point: 1. Scepticism
- 2. The essay
- 3. Defining human existence
- 4. Expression
- Section 4. Defining Art: 1. 'Art for art's sake'
- 2. Impressionism
- 3. Style
- Section 5. The Problem of Orientation: 1. Beauty
- 2. 'Postscript'
- Part III. Art and History
- Section 6. What Is History?: 1. Hegelian schematism
- 2. Historicity
- 3. 'House Beautiful'
- Section 7. The Limits of Historical Legitimation: 1. Plato and Platonism
- 2. Glaston de Latour
- Part IV. Art and Myth
- Section 8. The Ancient Gods: 1. Cult and ritual
- 2. 'The myth of Demeter and Persephone'
- 3. 'A study of Dionysis'
- Section 9. The Limits of Mythical Legitimation: 1. 'Apollo in Picardy'
- 2. Pater and Nietzche
- Part V. The Aesthetic Existence
- Section 10. Marius the Epicurean: 1. The form
- 2. The problem
- Section 11. Imaginary Portraits: 1. The form
- 2. 'A Prince of Court Painters'
- 3. Denys l'Auxerrois'
- 4. 'Sebastian van Storck'
- 5. 'Duke Carl of Rosenmold'
- Conclusion
- Notes
- Bibliography
- Biographical addendum
- Index of names
- Index of subjects.
「Nielsen BookData」 より