Point of view in the cinema : a theory of narration and subjectivity in classical film
著者
書誌事項
Point of view in the cinema : a theory of narration and subjectivity in classical film
（Approaches to semiotics, 66）
Mouton, c1984
- : Netherland
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注記
Includes bibliographies and index
内容説明・目次
内容説明
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
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