The tempest
著者
書誌事項
The tempest
(The Oxford Shakespeare)
Clarendon Press , Oxford University Press, 1987
- : hard
- : pbk
大学図書館所蔵 全65件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780192814500
内容説明
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art. Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest , and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both more open and more historically determined than traditional views have allowed. This book is intended for students and teachers on Shakespeare courses from A level up; students of English literature, drama, seventeenth-century literature; theatregoers and actors.
- 巻冊次
-
: hard ISBN 9780198129172
内容説明
Though written near the end of his career, The Tempest stands first in Shakespeare's First Folio of 1623. Recently redefined by modern criticism as a romance, the play has been variously read as an escapist fantasy, a political allegory, and a celebratory fiction. Most often, however, The Tempest is interpreted as a summary of Shakespeare's view of his own art of playwriting. In this edition of the work, Stephen Orgel reassesses the evidence for each of these critical speculations, and finds the play to be both more open and more historically determined than traditional views have allowed. The text has been newly edited, and includes a stage history of its production, from the radical revisions of Davenant, Dryden, and Shadwell to the recent stagings of Peter Hall, Jonathan Miller, and Peter Brook.
「Nielsen BookData」 より