Chinese painting style : media, methods, and principles of form
著者
書誌事項
Chinese painting style : media, methods, and principles of form
University of Washington Press, c1982
- pbk.
- タイトル別名
-
Chung-kuo hua chih feng ko
大学図書館所蔵 件 / 全17件
-
該当する所蔵館はありません
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注記
Added t.p. in Chinese: Chung-kuo hua chih feng ko
Bibliography: p. 65
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780295958965
内容説明
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression.
Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects.
Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
- 巻冊次
-
pbk. ISBN 9780295959214
内容説明
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression.
Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects.
Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
目次
Chronology
Preface
Introduction
Materials and Format
1. Brush
2. Ink and Pigments
3. Ground
4. Seals
5. Format
The Elements of Painting
6. Line in Calligraphy and Painting
7. Wash
8. Color
9. Texture
Composition, The Art of Illusion
10. Plasticity and Organic Form
11. Linear and Atmospheric Perspective
Composition, The Art of Abstraction
12. Abstract Shapes in Calligraphy and Painting
13. Independent Role of the Elements
14. Pattern
15. Voids
16. Compositional Design
17. Compositional Dynamics
Notes
Selected Bibliography
Index
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