Handel's operas, 1704-1726
Author(s)
Bibliographic Information
Handel's operas, 1704-1726
Clarendon Press, 1987
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [727]-729
Includes index
Description and Table of Contents
Description
Winner of the Yorkshire Post Music Book Award 1987, this book examines all of Handel's operas. It takes the story as far as the spring of 1726, when the Italian singer Faustina Bordoni arrived in London, and covers Handel's first 17 surviving operas including many of the greatest and most successful. Each opera has a chapter to itself which includes: a full synopsis of the libretto (including the original stage directions; a comparison between the libretto and its literary and dramatic sources; a discussion of the music with special emphasis on its dramatic power; and a history of the opera in performance. General chapters deal with the opera seria convention and Handel's treatment of it; the operatic background in the three countries where he worked; the operas of his contemporaries and rivals; audiences; performance practice, and other related matters. Eight appendices list all the performances in Handel's time (with location of librettos), borrowings, modern revivals, new information on his singers, and a complete index of Italian first lines in all Handel's works. This is a book for all Handelians, and students of music, opera, and theatre in the 18th century.
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