Barnett Newman
著者
書誌事項
Barnett Newman
Abrams, 1978
大学図書館所蔵 全30件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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  ノルウェー
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注記
Bibliography: p. 252-258
Includes index
内容説明・目次
内容説明
Barnett Newman was the most original and influential artist to emerge in the United States in the decade following World War II. Following his "breakthrough" in 1948 in Onement I - a small painting with a red-orange vertical stripe centered on a red-brown ground - Newman developed his art organically and intensely, expressing his themes of creation and creativity over the next two decades in an astonishing number of true masterworks.
This abundantly illustrated volume, by the late Harold Rosenberg, dean of American art critics, brings together for the first time reproductions in color of almost every one of Newman's paintings, as well as most of the drawings, watercolors, works in mixed media, sculpture, etchings, lithographs, and architecture. Rosenberg's interpretive essay emphasizes the spirituality and metaphysical quality of Newman's art, and it shows how Newman's personae as citizen, polemicist, man of impeccable taste, and metaphysician molded his artistic personality and led to the extraordinary series The Stations of the Cross and to the superb final paintings.
More than most other American artists Newman influenced the course of art in the 1960s and 1970s. His enduring achievement - perhaps the greatest monument to artistic integrity ever created in the United States - is presented chronologically in this volume, medium by medium. Newman's statement of his life and art is fully assembled here, and his radiant paintings and colors shine forth from almost every page in a blaze of transcendent light.
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