Out of Egypt : scenes and arguments of an autobiography
著者
書誌事項
Out of Egypt : scenes and arguments of an autobiography
(Crosscurrents : modern critiques / Harry T. Moore, general editor, Third series)
Southern Illinois University Press, c1986
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
内容説明・目次
内容説明
Like "The Cross-Legged Scribe "he describes so vividly, Ihab Hassan lives under "Medu-netcher, "the sign of the word.For Hassan, a critic is far more than a conservator or maker of judgments. In his work he has investigated not only the state of current literature but the thoughts and feelings that inform it. The important questions before the human race are not literary questions, he acknowledges in "Paracriticisms "(1975). They are questions of consciousness reason, dream, love. If humanity, as Hassan s work progressively suggests, is being transformed by a new universal consciousness, it is appropriate, perhaps essential, that critics such as he examine their own evolution as thinking and feeling beings.Out of Egypt, Hassan has never returned, preferring instead the continuing journey: In journeys, we hear the cadences of the universe itself, and endure our death, going hence, coming hither. Ripeness is all. The process of ripening is dependent in this inter-textual age upon the blending of minds into minds, voices into voices, making it necessary for Hassan to weave into his narrative brief essays, citations, and quotationsincluding some from his previous work."
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