Words about words about words : theory, criticism, and the literary text

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Words about words about words : theory, criticism, and the literary text

Murray Krieger

Johns Hopkins University Press, c1988

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Includes index

Description and Table of Contents

Description

Originally published in 1987. In Words about Words about Words, Murray Krieger advances his ongoing dialogue with the rich diversity of contemporary literary theory and elaborates on his own position as it grows out of an opposing relation to much of current criticism. Krieger examines the kinds of ideologies and ontologies smuggled into literary theory that purports to be anti-ideological and anti-ontological. He explores the extent to which critical fashions dictate the development of theory and the reasons why particular theories exclude certain kinds of literary works in favor of others. Under such circumstances, Krieger asks, What becomes of the critic's task of evaluation? Further, what is the relation of the idea of progress to criticism and the arts, and what is the effect of these notions on cultural and intellectual institutions? He seeks an alternative to the deterministic tendencies of the new historicism in viewing the relations of literature and literary criticism to society. Progressing from broad questions to more focused critical problems and close readings, Krieger reviews the aesthetic tradition as it has evolved from Kant. He engages in debate with deconstructionist critics about the role of symbol and allegory as descriptions of ways in which poems succeed or fail in constructing their verbal universe. And he argues that, for all its brilliance, deconstruction has not yet been able to fulfill the social or academic functions of the older, aesthetic-based disciplines that it set out to deconstruct.

Table of Contents

Preface Part I. Theory and Institutions: Critical Movements and Academic Structures Chapter 1. Words about Words about Words: Theory, Criticism, and the Literary Text Chapter 2. The Arts and the Idea of Progress Chapter 3. From Theory to Thematics: The Ideological Underside of Recent Theory Chapter 4. Literary Invention, Critical Fashion, and the Impulse to Theoretical Change: "Or Whether Revolution Be the Same" Chapter 5. A Meditation on a Critical Theory Institute Part II. Critical Positions: Self-definition and Other Definitions Chapter 6. An Apology for Poetics Chapter 7. A Colloquy on "An Apology for Poetics" Chapter 8. The Literary Privilege of Evaluation Chapter 9. An E.H. Gombrich Retrospective: The Ambiguities of Representation and Illusion Chapter 10. "Both Sides Now" Part III. Reconsideration of Special Texts jar Special Reasons Chapter 11. Presentation and Repres entation in the Renaissance Lyric: The Net of Words and the Escape of the Gods Chapter 12. A Humanity in the Humanities: Literature among the Discourses Chapter 13. The Conversion from History to Utopia in Shakespeare's Sonnets Chapter 14. Orpheus mit Gluck: The Deceiving Gratific(a)tions of Presence Chapter 15. "A Waking Dream": The Symbolic Alternative to Allegory Index

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