Conversations with John Cheever
著者
書誌事項
Conversations with John Cheever
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, c1987
- : pbk
大学図書館所蔵 全33件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
In this collection of thirty interviews compiled by John Cheever's biographer Cheever moves from gentlemanly reticence in the early pieces to forthright commentary upon a variety of subjects in the later ones. This admirably articulate author of The Wapshot Scandal, Bullet Park, Falconer, and many New Yorker stories gives answers that are satisfying to the curious, though the expression of his views is very much under his control. Cheever, the conversationalist, like his fiction, is always casually in good form, always respected for his expression and his art. For most of his fifty-year career Cheever was unusually reticent about himself. He used to say he had no public image and no wish to cultivate one. When curious reporters invaded his suburban bailiwick in Westchester, he evaded their questions by taking them on hikes in their best clothes or trying to get them drunk.
A remarkable change occurred in Cheever in the spring of 1975 when he stopped drinking. With his release from alcohol came renewed energy and a revivified sense of the importance of his work and of the audience he was addressing. Now Cheever became almost shockingly open in talking with fellow writers, with professional interviewers of magazines, newspapers, radio, and television, and with just about anyone who asked for an hour of his time. Now he spoke enthusiastically about the process and purpose of his writing and about the details of his private life.
In these later interviews Cheever shucked of his Yankee reserve and spoke with candor about his alcoholism, his marriage and even his sexual orientation. Reporters drew him out on virtually every subject under the sun, including religion ("I go to church because prayer seems to contain certain levels of gratitude and aspiration that I know no other way of expressing") and politics. He defended the suburbs, his literary milieu, against the usual charges of conformity and boredom.
By the standards of sheer variety and scope of subject matter, it is hard to conceive of more interesting interviews than those Cheever gave in the back, he had something to say, and he said it with the grace and wit of the born storyteller.
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