The early journals and letters of Fanny Burney
著者
書誌事項
The early journals and letters of Fanny Burney
McGill-Queen's University Press, 1988-
- v. 1. 1768-1773
- v. 2. 1774-1777
- v. 5. 1782-1783
大学図書館所蔵 件 / 全4件
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v. 1. 1768-17733号館4:Burney:9(1)4818975056,
v. 2. 1774-17773号館4:Burney:9(2)4818975064, v. 5. 1782-17833号館4:Burney:9(5)4818975080 -
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注記
Vol. 5: Edited by Lars E. Troide and Stewart J.Cooke
Includes index
内容説明・目次
- 巻冊次
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v. 1. 1768-1773 ISBN 9780773505384
内容説明
Volume One is the first of a projected twelve-volume edition of Burney's early journals and letters and covers the years 1768-73. This edition reproduces her earliest journals in their original form, replacing omitted and altered passages. It shows her development as an artist and contains typically vivid sketches of her family, friends, and acquaintances in London and the country. Further volumes will cover the so-called "Streatham Years" (1778-86, 4 vols.) and "Court Years" (1786-91, 6 vols.). These will carry her through the period of her greatest fame as the author of the novels Evelina (1778) and Cecilia (1782), and will end with her exit from the Court of King George III and Queen Charlotte after five exhausting years of service to the Queen as Second Keeper of the Robes. Eighteenth-century scholars generally regard Fanny's early journals as her freshest and most appealing. This edition complements Joyce Hemlow's Oxford edition of Burney's letters and journals from 1791 to 1840 (12 vols., Oxford, 1972-84). While the early journals have been printed before, Lars Troide's edition will provide the first full text of Fanny's early journals, accompanied by thorough and accurate annotations which fully explicate the context in which the journals were written.
- 巻冊次
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v. 2. 1774-1777 ISBN 9780773505391
内容説明
The years 1774-77 saw Fanny Burney's increasing occupation with Evelina, which she finally completed and presented to the publisher Thomas Lowndes. Like her novel, the journals and letters of this period reveal her artistic powers, as she continues to sketch characters with economy and precision and create convincing narratives out of the events of her life. Among the more memorable figures she meets at her father's London house are the "noble savage" Omai, the first Tahitian brought back to England; the famed explorer James "Abyssinian" Bruce, who returned from Africa with tales of natives who ate raw flesh; and Prince Aleksei Orlov of Russia, who had Czar Peter III murdered in order to permit Peter's wife, Catherine "the Great," to ascend the throne. Other notable figures include Dr Samuel Johnson and the great singer Lucrezia Agujari, admired by Mozart. Also in these pages, the usually diffident Miss Burney takes charge of her destiny by rebuffing her suitor Thomas Barlow, who has wealth, education, good looks, and the vehement approval of most of her family, but whom she finds a total bore. The journals and letters of Fanny Burney are an invaluable source for anyone interested in the social and literary history of late eighteenth- and early nineteenth-century England. Lars Troide has supported the texts with thorough and detailed annotations.
- 巻冊次
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v. 5. 1782-1783 ISBN 9780773505421
内容説明
Volume V of The Early Journals and Letters of Fanny Burney covers a period of significant gains and losses for the young writer. Professionally, Burney consolidated her reputation as England's premier novelist with the publication of Cecilia. Through a mutual friendship she gained an appointment as Keeper of the Robes to Queen Charlotte, a position that provided both financial security and an insider's view to life at Court. Burney's professional success during these years was balanced by countless personal setbacks. Deprived of the companionship of her favourite sister following her sister's marriage, she also lost the friendship of Hester Lynch Thrale who grew increasingly distant during her romantic attachment to Gabriel Piozzi (whom she married in 1784). The death of her dear friend and mentor Samuel Crisp causes Burney deep sadness, and her emotional turmoil is further exacerbated by her introduction to George Owen Cambridge, a young clergyman to whom she is clearly attracted but who refuses to either declare himself to her, or leave her in peace.
Throughout these trials and triumphs, Burney - an artist with an acute sense of the complexities and vagaries of human nature - never ceases to fix her lens on the fashions and follies of English society as they emerge in the manners of her time.
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