Flaubert's characters : the language of illusion
著者
書誌事項
Flaubert's characters : the language of illusion
(Cambridge studies in French)
Cambridge University Press, 1985
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注記
Bibliography: p. 119-122
Includes index
内容説明・目次
内容説明
This major new study takes issue both with the traditional critical view that Flaubert's central characters are weak and with the approach adopted by a number of contemporary critics who claim that character is deliberately undermined in the interests of non-representational writing. Rather, Dr Knight explores the relationship between the contents of Flaubert's stories and his practice as a writer, thereby reinstating the functional value of character in his work. She shows that essential aspects of Flaubert's aesthetic - the opaqueness of language, stupidity, fascination and reverie as the object of art - depend on the psychological make-up of fictional characters: their pathological relationship to language and reality mirrors Flaubert's conception of the readers' stupefied response to his own stylistic effects and to his wilfully naive stories. Flaubert emerges as a representational writer, but one who is supremely self-conscious of the fictional status of his representations.
目次
- Acknowledgements
- Introduction: Character and value
- 1. Oriental aesthetics
- 2. The merits of inarticulacy
- 3. By-passing speech
- 4. Endless illusions
- 5. Overturning reality
- Conclusion: Making madness more mad
- Notes
- References
- Index.
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