Flaubert's characters : the language of illusion

書誌事項

Flaubert's characters : the language of illusion

Diana Knight

(Cambridge studies in French)

Cambridge University Press, 1985

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注記

Bibliography: p. 119-122

Includes index

内容説明・目次

内容説明

This major new study takes issue both with the traditional critical view that Flaubert's central characters are weak and with the approach adopted by a number of contemporary critics who claim that character is deliberately undermined in the interests of non-representational writing. Rather, Dr Knight explores the relationship between the contents of Flaubert's stories and his practice as a writer, thereby reinstating the functional value of character in his work. She shows that essential aspects of Flaubert's aesthetic - the opaqueness of language, stupidity, fascination and reverie as the object of art - depend on the psychological make-up of fictional characters: their pathological relationship to language and reality mirrors Flaubert's conception of the readers' stupefied response to his own stylistic effects and to his wilfully naive stories. Flaubert emerges as a representational writer, but one who is supremely self-conscious of the fictional status of his representations.

目次

  • Acknowledgements
  • Introduction: Character and value
  • 1. Oriental aesthetics
  • 2. The merits of inarticulacy
  • 3. By-passing speech
  • 4. Endless illusions
  • 5. Overturning reality
  • Conclusion: Making madness more mad
  • Notes
  • References
  • Index.

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