Culture, ideology and social process : a reader
著者
書誌事項
Culture, ideology and social process : a reader
(Open University set book)
Batsford Academic and Educational in association with the Open University Press, 1981
- : pbk
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注記
Includes bibliographies and index
内容説明・目次
内容説明
This collection of readings aims to bring together in one volume representative statements of the different theoretical traditions which have been influential in shaping the subject of cultural studies, now an established part of the teaching of sociology, literature and related areas. Conceived to meet the needs of students on the Open University course Popular Culture, the volume aims to provide an introduction to the main concepts and contemporary debates in the field. Amongst the major themes are the contrast between "culturalist" and "structuralist" approaches, the relevance of Gramsci's work to cultural theory, and the contribution of perspectives standing outside Marxist debate.
目次
- Part 1 Overview: cultural studies - two paradigms, Stuart Hall. Part 2 Culturalist approaches: the analysis of culture, Raymond Williams
- sub-cultures, cultures and class, John Clarke et al
- class and institutional form of counter-school culture, Paul Willis
- settling accounts with sub-cultures - a feminist critique, Angela McRobbie. Part 3 Structuralist approaches: semiology - the Saussurian legacy, Jonathan Culler
- the study of ideologies and philosophy of language, V.N.Volosinov
- structuralism and the subject - a critique, R.Coward and J.Ellis
- introduction to the structural analysis of narratives, Roland Barthes. Part 4 Class, culture and hegemony: Antonio Gramsci - culture, hegemony, ideology, popular beliefs and common sense, the intellectuals, the State
- hegemony and ideology in Gramsci, Chantal Mouffe
- bourgeois hegemony in Victorian Britain, Robert Gray
- education, ideology and literature, Tony Davies. Part 5 Debates with Marxism: culture, leisure, society - the pluralist scenario, Kenneth Roberts
- power and photography, a means of surveillance - the photograph as evidence in law, John Tagg.
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