Samuel Beckett : repetition, theory and text

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書誌事項

Samuel Beckett : repetition, theory and text

Steven Connor

Blackwell, 1988

  • : hbk
  • : pbk

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注記

Includes bibliographical notes and index

内容説明・目次

巻冊次

: hbk ISBN 9780631160175

内容説明

Steven Connor draws on the poststructuralist theories of Jacques Derrida and Gilles Deleuze to show the centrality of repetition in Beckett's work. Taking issue with those critics who have seen repetition simply as a unifying, totalising principle in Beckett's writing, Connor explores the paradoxical forms and effects of repetition across a wide range of Beckett's texts, from the early fiction through to the most recent drama. He examines Beckett's translations of his own works to and from French and English, and his practice as a director of his own plays. In the final chapter, Steven Connor examines the way in which repetition functions within critical discourse to create and sustain the mythology that has grown up around Beckett.

目次

  • 1. Introduction: Difference and Repetition
  • 2. Economies of Repetition i. "Murphy" ii. "Watt"
  • 3. Repetition in Time: "Proust" and "Molloy"
  • 4. Centre, Line, Circumference: Repetition in the Trilogy i. "Malone Dies" ii. "The Unnamable" iii. Centre, Line, Circumference: The Novellas
  • 5. Repetition and Self-Translation: "Mercier and Camier, First Love, The Lost Ones"
  • 6. Presence and Repetition in Beckett's Theatre i. The Doubling of Presence: "Waiting for Godot, Endgame" ii. Voice and Mechanical Reproduction: "Krapp's Last Tape, Ohio Impromptu, Rockaby, That Time"
  • 7. What? Where? Space and the Body i. What? Where? ii. Fundamental Sounds: Language and the Body "Not I, Acts Without Words, Quad"
  • 8. Repetition and Power i. Textual Power ii. Producing Power.
巻冊次

: pbk ISBN 9780631161035

内容説明

Steven Connor draws on the poststructuralist theories of Jacques Derrida and Gilles Deleuze to show the centrality of repetition in Beckett's work. Taking issue with those critics who have seen repetition simply as a unifying, totalizing principle in Beckett's writing, Connor explores the paradoxical forms and effects of repetition across a wide range of Beckett's texts, from the early fiction through to the most recent drama. He examines Beckett's translations of his own works to and from French and English, and his practice as a director of his own plays. In the final chapter, Steven Connor examines the way in which repetition functions within critical discourse to create and sustain the mythology that has grown up around Beckett.

目次

  • 1. Introduction: Difference and Repetition
  • 2. Economies of Repetition i. "Murphy" ii. "Watt"
  • 3. Repetition in Time: "Proust" and "Molloy"
  • 4. Centre, Line, Circumference: Repetition in the Trilogy i. "Malone Dies" ii. "The Unnamable" iii. Centre, Line, Circumference: The Novellas
  • 5. Repetition and Self-Translation: "Mercier and Camier, First Love, The Lost Ones"
  • 6. Presence and Repetition in Beckett's Theatre i. The Doubling of Presence: "Waiting for Godot, Endgame" ii. Voice and Mechanical Reproduction: "Krapp's Last Tape, Ohio Impromptu, Rockaby, That Time"
  • 7. What? Where? Space and the Body i. What? Where? ii. Fundamental Sounds: Language and the Body "Not I, Acts Without Words, Quad"
  • 8. Repetition and Power i. Textual Power ii. Producing Power.

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