The schlemiel as metaphor : studies in the Yiddish and American Jewish novel
Author(s)
Bibliographic Information
The schlemiel as metaphor : studies in the Yiddish and American Jewish novel
（Crosscurrents : modern critiques / Harry T. Moore, general editor）
Southern Illinois University Press , Feffer & Simons, c1971
Available at 54 libraries
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The certainty that deep down we are all "schlemiels "is perhaps what makes America love an inept ball team or a Woody Allen who unburdens his neurotic heart in public.
In this unique, revised history of the "schlemiel, "Sanford Pinsker uses psychological, linguistic, and anecdotal approaches, as well as his considerable skills as a spritely storyteller, to trace the "schlemiel "from his beginnings in the Old Testament through his appearance in the nineteenth-century literature of Mendele Mocher Seforim and Sholom Aleichem to his final development as the beautiful loser in the works of Isaac Bashevis Singer, Bernard Malamud, Saul Bellow, Philip Roth, and Woody Allen. Horatio Alger might have once been a good emblem of the American sensibility, but today Woody Allen s anxious, bespectacled "punin "(face) seems closer, and truer, to our national experience. His urban, end-of-the-century anxieties mirroralbeit in exaggerationour own.
This expanded study of the "schlemiel "is especially relevant now, when scholarship of Yiddish and American Jewish literature is on the increase. By sketching the family tree of that durable anti-hero the "schlemiel, "Pinsker proves that Jewish humor is built upon the very foundations of the Jewish experience. Pinsker shows the evolution of the "schlemiel "from the comic butt of Yiddish jokes to a literary figure that speaks to the heart of our modern problems, and he demonstrates the way that Yiddish humor provides a sorely needed correction, a way of pulling down the vanities we all live by."
by "Nielsen BookData"