Shadow and sound : the historical thought of a Sumatran people
著者
書誌事項
Shadow and sound : the historical thought of a Sumatran people
University of Chicago Press, 1979
- 統一タイトル
-
Si Meuseukin's wedding
Hikajat Prang Sabil
大学図書館所蔵 全31件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes translations of Hikajat Pòtjoet Moehamat, Si Meuseukin's wedding, and Hikajat Prang Sabil
Includes bibliographical references
内容説明・目次
内容説明
Atjeh was a kingdom in northern Sumatra which had a long history ofrebellion and unrest. As a Mulim Sultanate from the sixteenth to the nineteenth century, Atjeh engaged in internalpolitical struggle. Since the nineteenth century, Atjeh has been under Dutch, Japanese, or Indonesian control - domination to which the Atjeh never passively yielded. In "Shadow and Sound" James Siegel arges that the Atjehnese view of history, as expressed in the language of their epic poetry, is based not on the fixing of historical fact, but on a flow of words that is actually immune to the past.
Siegel traces the Atjehnese treatment of history through two epics and a folktale. In his interpretation he goes beyond the idea tht texts such as these are semi-accurate historical documents to show tht tempo, rhythm, rhyme, and melody replace the significance of the content. Furthermore, he uncovers which Atjehnese frameworks - native genres ranging from dream interpretation to conventions of braggadocio
- illuminate their own sense of history.
Siegel first translates one of the important remaining epics on a historical topic, the "Hikajat PotjoetMoehamat," and provides an analysis based on the narratve, prosodic structure and his observation of the recitation of epics. He then translates and analyzes two other pieces: a tale entitled "Si Meuseukin's Wedding" and another epic, the last popular one, "Hikajat Prang Sabil." Finally he indicates how a similar treatment of history continues in present-day Atjeh. The analyses demonstrate that in the context of centuries of violence and disruption the Atjehnese have maintained an ability to speak of the past in such ways that it is turned into triumph, not by dwelling on heroic victories but by controlling language.
Siegel's way of looking at the relationship between history and literature will be valuable not only in anthropology but in literary history and comparative studies in literature and politics as well."
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