A short history of opera
著者
書誌事項
A short history of opera
Columbia University Press, 1988
3rd ed. / with Hermine Weigel Williams
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注記
Bibliography: p. [731]-839
Includes index
内容説明・目次
内容説明
When first published in 1947, A Short History of Opera immediately achieve international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operative form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A SHort History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions, including a chapter devoted solely to opera in the United States that incorporates material on the American musical and ties between classical opera and popular musical theater.
A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage. A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
目次
- List of Illustrations Preface to the Fourth Edition Introduction Part 1 Music and Drama to the End of the Sixteenth Century 1 The Lyric Theater of the Greeks 2 Medieval Dramatic Music 3 The Immediate Forerunners of Opera Part 2 The Seventeenth Century 4 The Beginnings: Opera in Florence and Mantua 5 Other Early Seventeenth-Century Italian Court Operas, Including the First Comic Operas in Florence and Rome 6 Italian Opera in the Later Seventeenth Century in Italy 7 Seventeenth-Century Italian Opera in German-Speaking Lands 8 Early German Opera 9 Opera in France from Lully to Charpentier 10 Opera in England Part 3 The Eighteenth Century 11 Masters of the Early Eighteenth Century 12 Opera Seria: General Characteristics 13 Opera Seria: The Composers 14 The Operas of Gluck 15 The Comic Opera of the Eighteenth Century 16 The Operas of Mozart and His Viennese Contemporaries Part 4 The Nineteenth Century 17 The Turn of the Century 18 Grand Opera 19 Opera Comique, Operetta, and Lyric Opera 20 Italian Opera of the Primo Ottocento: Rossini, DOnizetti, Verdi, and Their Contemporaries 21 The Romantic Opera in Germany 22 The Operas of Wagner 23 The Later Nineteenth Century: France, Italy, Germany, and Austria Part 5 Other National Traditions of Opera from the Seventeenth to the Early Twentieth Centuries 24 National Traditions of Opera Part 6 The Twentieth Century 25 Introduction/Opera in France and Italy 26 Opera in the German-Speaking Countries 27 National Opera in Russia and Neighboring COuntries
- Central and Eastern Europe
- Greece and Turkey
- the Netherlands, Denmark, Sweden and Finland
- Spain, Portugal, and Latin America 28 Opera in the British Isles, Canada, Australia, and New Zealand 29 Opera in the United States Appendix: Chinese Opera (Xiqu) List of Abbreviations Bibliography Sources and Translations of Musical Examples Index
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