The rise of popular antimodernism in Germany : the urban master artisans, 1873-1896
著者
書誌事項
The rise of popular antimodernism in Germany : the urban master artisans, 1873-1896
Princeton University Press, c1978
大学図書館所蔵 全18件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 355-386
Includes index
内容説明・目次
内容説明
Antimodernism, a popular movement growing out of fear and hostility toward an emerging new world, became a central ideological trend in late nineteenth-century Europe. Shulamit Volkov explains its development in Germany by providing a biography of one group-the urban master artisans-whose political attitudes came to be dominated by antimodernist feelings.
As small, independently employed practitioners of traditional crafts, the master artisans possessed a special social identity. The author focuses on their character as a group, their public behavior, and the formation of their ideas and political allegiance. She contends that between 1873 and 1898-a period often called the "Great Depression"-this group underwent a crucial change in attitude reflecting a growing sense of social isolation and political homelessness. To understand the complexities of their outlook, Shulamit Volkov considers changes in their economic and social position during industrialization and the Great Depression, comparing the German experience with that of England. Her analysis of economic, social, cultural, and political history uncovers the forces that led to the emergence of popular antimodernism and helped attract part of the German populace to prefascist ideas.
Originally published in 1978.
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