Chopin studies

著者

書誌事項

Chopin studies

edited by Jim Samson

Cambridge University Press, 1988-1994

  • [1]
  • 2

大学図書館所蔵 件 / 全20件

この図書・雑誌をさがす

注記

V. 2 edited by John Rink and Jim Samson

Includes bibliographical references and index

収録内容

  • [1]. The problem of repetition and return in Chopin's mazurkas / Jeffrey Kallberg
  • Fryderyk Chopin's op 57 : from Variantes to Berceuse / Wojciech Nowik
  • The composition-draft of the Polonaise-fantasy : the issue of tonality / Jim Samson
  • Directional tonality in Chopin / William Kinderman
  • Melodic structuring of harmonic dissonance : a method for analysing Chopin's contribution to the development of harmony / Eugene Narmour
  • Phrase rhythm in Chopin's nocturnes and mazurkas / William Rothstein
  • The nocturnes and studies : selected problems of piano texture / Zofia Chechlińska
  • Twenty-four preludes op. 28 : genre, structure, significance / Jean-Jacques Eigeldinger
  • The Barcarolle : Auskomponierung and apotheosis / John Rink
  • Chopin's Fantasy op. 49 : the two-key scheme / Carl Schachter
  • 2. Chopin reception : theory, history, analysis / Jim Samson
  • Chopin as "salon composer" in nineteenth-century German criticism / Andreas Ballstaedt
  • Chopin as modernist in nineteenth-century Russia / Anne Swartz
  • Small fairy voices : sex, history and meaning in Chopin / Jeffrey Kallberg
  • Chopin's Ballade op. 23 and the revolution of the intellectuals / Karol Berger
  • The polonaise-fantasy and issues of musical narrative / Anthony Newcomb
  • Placing Chopin : reflections on a compositional aesthetic / Jean-Jacques Eigeldinger
  • Ambiguity and reinterpretation in Chopin / Edward T. Cone
  • The prelude in E minor op. 28 no. 4 : autograph sources and interpretation / Carl Schachter
  • Performing the F# minor prelude op. 28 no. 8 / L. Henry Shaffer
  • Chopin's tempo rubato in context / David Rowland
  • Authentic Chopin : history, analysis and intuition in performance / John Rink
  • Encounters with Chopin : Fanny Erskine's Paris diary, 1847-8 / Jeremy Barlow

内容説明・目次

巻冊次

[1] ISBN 9780521303651

内容説明

Containing detailed documentary and analytical studies of the music of Chopin, this work comprises 10 essays by leading scholars in this field. They cover a variety of subjects and include three case studies of individual works: the Preludes op 28, the Barcarolle, and Fantasy op 49.

目次

  • The problem of repetition and return in Chopin's mazurkas, Jeffrey Kallberg
  • Fryderyk Chopin's Opus 57 - from "Variations to Berceuse", Wojciech Nowik
  • the composition - draft of the "Polonaise - fantasy": the issue of tonality, Jim Samson
  • directional tonality in Chopin, William Kinderman
  • melodic structuring of harmonic dissonance: a method for analyzing Chopin's contribution to the development of harmony, Eugene Narmour
  • phrase rhythm in Chopin's nocturnes and mazurkas, William Rothstein
  • the nocturnes and studies - selected problems of piano texture, Zofia Chechlinska
  • 24 preludes op. 28: genre, structure, significance, Jean-Jacques Eigeldinger
  • the barcarolle - "Auskomponierung" and apotheosis, John Rink, Chopin's fantasy op. 49 - the two-key scheme, Carl Schachter.
巻冊次

2 ISBN 9780521416474

内容説明

This second volume of essays in Chopin Studies contains Chopin research by twelve leading scholars. Three main topics are addressed: reception history, aesthetics and criticism, and performance studies. The first four chapters investigate certain images associated with Chopin during his lifetime and after his death: Chopin as classical composer, as salon composer, as modernist, as 'otherwordly', as androgyne. The next four essays contextualize and define aspects of his musical language, including narrative stuctures, baroque affinities, progressive tendencies and functional ambiguity. The last four deal with analysis and source study as related to performance, structure and expression, tempo rubato and 'authentic' interpretation. The book ends with a thumbnail sketch of Chopin as revealed in a recently discovered diary for 1847-8.

目次

  • Preface
  • 1. Chopin reception: theory, history, analysis Jim Samson
  • 2. Chopin as 'salon composer' in nineteenth-century German criticism Andreas Ballstaedt
  • 3. Chopin as modernist in nineteenth-century Russia Anne Swartz
  • 4. Small fairy voices: sex, history and meaning in Chopin Jeffrey Kallberg
  • 5. Chopin's Ballade Op. 23 and the revolution of the intellectuals Karol Berger
  • 6. The Polonaise-Fantasy and issues of musical narrative Anthony Newcomb
  • 7. Placing Chopin: reflections on a compositional aesthetic Jean-Jacques Eigeldinger
  • 8. Ambiguity and reinterpretation in Chopin Edward T. Cone
  • 9. The Prelude in E minor Op. 28 No. 4: autograph sources and interpretation Carl Schachter
  • 10. Performing the F# minor Prelude Op. 28 No. 8 L. Henry Shaffer
  • 11. Chopin's tempo rubato in context David Rowland
  • 12. Authentic Chopin: history, analysis and intuition in performance John Rink
  • Appendix: encounters with Chopin: Fanny Erskine's Paris diary, 1847-8 Jeremy Barlow
  • Index.

「Nielsen BookData」 より

詳細情報

ページトップへ