Corneille, classicism and the ruses of symmetry
Author(s)
Bibliographic Information
Corneille, classicism and the ruses of symmetry
（Cambridge studies in French）
Cambridge University Press, 1986
Available at / 9 libraries
-
No Libraries matched.
- Remove all filters.
Note
Bibliography: p. 166-186
Includes index
Description and Table of Contents
Description
Professor Greenberg's lucid study examines the themes of authority, power and sexuality in Corneille's major plays, drawing on the work of Foucault, and Freudian and feminist critics. He begins by considering the question of myth and of a 'pre-historical' cultural memory in Medee, and proceeds to a detailed analysis of each of the four best-known tragedies: Le Cid, Horace, Cinna, and Polyeucte. A concluding chapter discusses two middle-period plays and Surena, Corneille's last tragedy. Professor Greenberg argues that the formal symmetries of classical tragedy reflect a desire for control in the realm of both politics and sexuality. He also seeks to show how these principles of symmetry are challenged or undermined in various ways by the plays themselves. The result is an exacerbation of sexual and political desire which invests Cornelian tragedy with its peculiar power and involves us so deeply in its world.
Table of Contents
- Prefaces
- Introduction
- 1. Mythifying matrix: Corneille's Medee and the birth of tragedy
- 2. Le Cid: father/time
- 3. Horace, classicism and female trouble
- 4. Cinna: empty mirrors
- 5. Polyeucte: seeing is believing
- 6. Nicomede, Rodogune, Surena: monsters, melanchology and the end of the ancien regime
- Notes
- Index.
by "Nielsen BookData"
