Innovation and renewal : a study of the theatrical works of Diderot
著者
書誌事項
Innovation and renewal : a study of the theatrical works of Diderot
(Studies on Voltaire and the eighteenth century / edited by Theodore Besterman, 258)
Voltaire Foundation at the Taylor Institution, 1989
- タイトル別名
-
Innovation in Diderot's theatre
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 191-197
Includes index
内容説明・目次
内容説明
Part one begins by examining the nature of Diderot's theatrical revolution as it is revealed in the works of dramatic theory, the Entretiens sur Le Fils naturel and De la poesie dramatique, as well as in his letters and articles for the Correspondance litteraire. It also compares this theory with the level of innovation revealed in practical terms in the plays themselves. Diderot's approach to theatrical dialogue seems to be one of the most original, and most frequently criticised, aspects of his dramaturgy and this is therefore the subject of a separate chapter.
Part two examines both the sources of Diderot's dramatic works, and the way in which he renews this source material in order to produce dramatic theory which seems more original than it actually is, and a theoretical style which, for good or ill, is uniquely his own. This section begins with a consideration of the most obviously derivative of his dramatic works, his translation of The Gamester, which, because of the contemporary popularity of the English play, gives us a unique opportunity to compare Diderot's working methods with those of three French contemporaries who were also attracted by this text. The remaining chapters deal firstly with the major influences on the dramatic theory, and secondly with the sources and compositional methods of the four plays: Le Fils naturel, Le Pere de famille, Les Peres malheureux and Est-il bon? Est-il mechant?
目次
Acknowledgements
Abbreviations
Preface
I. Innovation
1. Dramatic theory and dramatic practice
2. Stylistic aspects of Diderot's theatrical dialogue
II. Renewal
3. Five views of The Gamester
4. Sources of Diderot's dramatic theory
5. Sources of Diderot's plays
Postface
Bibliography
Index
「Nielsen BookData」 より