Antonioni, or, The Surface of the world
著者
書誌事項
Antonioni, or, The Surface of the world
University of California Press, c1985
- : hbk
- : pbk
- タイトル別名
-
Antonioni
Surface of the world
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. 265-270
Bibliography: p. 271-281
Includes index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780520052055
内容説明
Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the 'opacity' of Antonioni's films, it is precisely their rendered surface that is so eloquent once one learns to read it. Not despite, but through, their silences the films show a deep concern with the motives, perceptions and vicissitudes of the emotional life. This study covers films not dealt with in any other book on the great director, including "Il mistero di Obertwald" (1980) and "Identificazione di una donna" (1982), which have not yet been seen in the U.S. Its coverage of the early documentaries and features, when Antonioni was forging his new and original stylistic 'language', is especially full.
In a free-ranging analysis of the evolution of Antonioni's style that quotes liberally from Antonioni's own highly articulate writings and interviews, Chatman shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music. From his first efforts to his triumphant achievements in the tetralogy of "L'avventura", "L'eclisse", and "Il deserto rosso", Antonioni's acute sensibility struggled to achieve the mastery that has won him a secure place in film history. Chatman's study is the only complete account of Antonioni's work available in English. Its novel visual approach to the films while attract not only film scholars but also readers interested in painting and architecture - both important elements of Antonioni's work.
目次
Acknowledgments A Note on Photographic Reproductions Introduction 1. Early Films 2. Il grido 3. The Great Tetralogy: Plots and Themes 4. The Great Tetralogy: Characters 5. The Great Tetralogy: Settings and the Environments 6. The Great Tetralogy: Cinematic Form 7. "Il provine" and Blow-Up 8. Zabriskie Points and Chung Kuo Cina 9. The Passenger and Il mistero di Oberwald 10. Identificazione di una donne Conclusion Notes Filmography Selected Bibliography Index
- 巻冊次
-
: pbk ISBN 9780520053410
内容説明
Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the 'opacity' of Antonioni's films, it is precisely their rendered surface that is so eloquent once one learns to read it. Not despite, but through, their silences the films show a deep concern with the motives, perceptions and vicissitudes of the emotional life. This study covers films not dealt with in any other book on the great director, including "Il mistero di Obertwald" (1980) and "Identificazione di una donna" (1982), which have not yet been seen in the U.S. Its coverage of the early documentaries and features, when Antonioni was forging his new and original stylistic 'language,' is especially full.
In a free-ranging analysis of the evolution of Antonioni's style that quotes liberally from Antonioni's own highly articulate writings and interviews, Chatman shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music. From his first efforts to his triumphant achievements in the tetralogy of "L'avventura", "L'eclisse", and "Il deserto rosso", Antonioni's acute sensibility struggled to achieve the mastery that has won him a secure place in film history. Chatman's study is the only complete account of Antonioni's work available in English. Its novel visual approach to the films while attract not only film scholars but also readers interested in painting and architecture - both important elements of Antonioni's work.
目次
Acknowledgments A Note on Photographic Reproductions Introduction 1. Early Films 2. Il grido 3. The Great Tetralogy: Plots and Themes 4. The Great Tetralogy: Characters 5. The Great Tetralogy: Settings and the Environments 6. The Great Tetralogy: Cinematic Form 7. "Il provine" and Blow-Up 8. Zabriskie Points and Chung Kuo Cina 9. The Passenger and Il mistero di Oberwald 10. Identificazione di una donne Conclusion Notes Filmography Selected Bibliography Index
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