Domestic animals : the neo-primitive style
著者
書誌事項
Domestic animals : the neo-primitive style
MIT Press, 1987
- : pbk.
- タイトル別名
-
Animali domestici
- 統一タイトル
-
Animali domestici
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translation of: Animali domestici
内容説明・目次
内容説明
Andrea Branzi, one of Italy's foremost designers and critics and Nicoletta Branzi, designer of limited edition art clothing for women, introduce the neoprimitive style under the generic title Domestic Animals. These mysterious creature-objects are oriented to domestic settings, intended to be used or worn, but they are also fetishistic and contemplative, arousing expectations that magic or tribal rituals are about to be performed. Uniting precision of design with natural raw materials, these objects fashioned from tree trunks, sticks of wood and animal skins joined to steel bamboo rods and painted in bright, totemic colors fascinate us. Taken out of their wild settings and tamed by technology, domestic animals establish a loving relationship with man, sharing his most private space. We have not seen anything like them in the world of interior, furniture, or fashion design before. The ideas and creations in Domestic Animals were developed by the Branzis over several years, and can be understood as a metaphor of the relationship that links man to a number of animal and technical presences within the home. The Branzis have created clothing, furniture, and objects of decoration that challenge the conventional notions of habitation: Where living too often takes place in empty spaces marked out by couches they have introduced an environment of archetypal symbols and materials that invite a new way of inhabiting the home. Andrea Branzi lives and works in Milan where he is Educational Director of Domus Academy and Editorial Director of MODO. His last book, The Hot House: Italian New Wave Design, is an MIT Press paperback.
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