Cézanne and America : dealers, collectors, artists and critics 1891-1921
著者
書誌事項
Cézanne and America : dealers, collectors, artists and critics 1891-1921
(Bollingen series, 35,
Princeton University Press, c1989
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographies and index
内容説明・目次
内容説明
The classic work by internationally acclaimed Cezanne scholar John Rewald
Cezanne and America presents for the first time a full account of how the Paul Cezanne's reputation and influence became established in America between 1891 and 1921, and of how some of the world's largest collections of his works were formed in the United States. Recounted in John Rewald's characteristically urbane and masterly style, this is the fascinating story of enthusiastic young American artists who took up Cezanne's cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work-Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others-many of whom made their first purchases from Cezanne's wily dealer Vollard or from the dealer Alfred Stieglitz in America, and of the beginning of the famous collection of Dr. Albert C. Barnes.
Rewald discusses the exhibitions at which Cezanne's works were first shown and describes the outraged reactions of all but a few of the American critics. Several chapters are devoted to the important Armory Show of 1913. Throughout the text runs a compelling narrative in which all the actors revolve around the absent protagonist Cezanne. Each chapter is copiously illustrated, not only with Cezanne's works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers' ledgers, and Cezanne's own correspondence.
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