Bibliographic Information

Edward Hopper : the art and the artist

Gail Levin

Norton in association with Whitney Museum of American Art, 1980

1st ed

  • : hbk
  • : pbk

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Note

Exhibition catalogue

Catalogue of the exhibition held at Whitney Museumof American Art, Sept. 16, 1980-Jan. 25, 1981, Sept. 23, 1980-Jan. 18, 1981; Hayward Gallery, London, Feb. 11-Mar. 29, 1981; Stedelijk Museum, Amsterdam, Apr. 22-Jun. 17, 1981 and three other locations

The exhibition organized by the Whitney Museum and sponsored by Philip Morris Incorporated and the National Endowment for the Arts

Includes bibliographical references (p. [72]-[74]), chronology and index

Description and Table of Contents

Volume

: pbk ISBN 9780393000825

Description

First published to accompany the Hopper show at the Whitney Museum in 1980, t his beautiful companion book is now being reprinted in response to expanding interest in Hopper's work. 280 full-color and over 150 black-and-white illustrations.
Volume

: hbk ISBN 9780393013740

Description

Hopper is generally considered the major twentieth-century realist. Such paintings as House by the Railroad, Early Sunday Morning, and Nighthawks seem to embody the very character of our time. Yet few people have penetrated the mask of Hopper's public image. Here, Gail Levin has gone beyond the standard evaluations of the man and his work to investigate the authentic identity of the artist and the way his personality informed his art. She has uncovered aspects of Hopper's life (and even unknown works) that provide the first comprehensive view of the artists early development. The fascinating and often poignant story of Hopper's long struggle for recognition gives new insight into his later pessimism. A complex man is revealed, introspective and intellectual, yet romantic, illuminating the many levels of meaning in the paintings of his maturity.In addition to Hopper's watercolors and oil paintings, there are study drawings for his major works and documentary photographs illuminating all phases of his life.

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