Questions about music
Author(s)
Bibliographic Information
Questions about music
(The Norton library, N571)
W. W. Norton, 1971
- [: pbk]
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Description and Table of Contents
Description
"We are asked (to put it politely) for whom we are writing..." From his perspective as a composer, Roger Sessions discusses some basic questions raised by the experience of music: what do we mean by "knowing" a piece of music, or "understanding" it? In what ways is the relationship between composer and listener different today from what it was in the past, and what demands can each make on the other?
Music, like all nonverbal arts and certainly like mathematics and some branches of science, has its own dialectic, which is not that of words at all." Mr. Sessions warns against the pitfalls of metaphorical terms used to describe music, and explores the nature of musical form and communication.
It is the quality and character of the musical gesture that constitutes the essence of the music...." He discusses the performer, why his role is inestimably important, and why the "definitive performance" is a legend we can dispense with.
The conception itself is a musical image, and in bringing it to fuller realization, the composer is not pursuing a line of reasoning, but producing an object." Two chapters on composition offer an illuminating view of how a composer's mind works, how a musical idea takes shape and logically develops, what a musical train of thought is like.
The willing ear does not imply an undiscriminating ear, but the contrary: only a willing ear is a genuinely discriminating one." Mr. Sessions addresses the question of criteria and how the listener makes judgments about a piece of music. Concerning the new and experimental music now being written, he summarizes his own views in Mahler's comment, "The younger generation is always right."
by "Nielsen BookData"