Ezra Pound and Dorothy Shakespear, their letters, 1909-1914
著者
書誌事項
Ezra Pound and Dorothy Shakespear, their letters, 1909-1914
New Directions, 1984
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"A New Directions book"
Includes index
内容説明・目次
内容説明
"'Ezra.' Listen to it--Ezra! Ezra!--And a third time--Ezra!... Some people have complained of untidy boots--how could they look at his boots, when there is his moving, beautiful face to watch!" These words from the notebook of Dorothy Shakespear, dated February 16, 1909, record the entry into her life of the energetic young American, recently arrived in London, who was to become her husband--Ezra Pound. Their correspondence, begun the following year, extends over more than six decades, until the poet's death in 1972. All of these letters are of unusual literary interest, but those from before their marriage in April 1914 have a special importance, since few from this period have been published. The standard edition of The Selected Letters of Ezra Pound, edited by D. D. Paige, includes none from 1910-1911 and only a handful from 1912-1913, yet these were the crucial years in Pound's literary development and in the shaping of early modernism. The over two hundred letters and diary entries in Ezra Pound and Dorothy Shakespear: Their Letters 1909-1914 are published here for the first time. Taken together, they provide a detailed record of the poet's search for a new style and give a full portrait of a dynamic young expatriate who was simultaneously involved in two literary generations, the companion and close friend of Yeats and Ford Madox Hueffer as well as of Wyndham Lewis and the sculptor Gaudier-Brzeska. They also shed a poignant light on The Pisan Cantos of 1945, where amid the ruins of his life Pound recalled again and again the events and people described in these letters, as if the memory of 1909-1914 was the only stable point left in a disintegrating personal universe. The letters have been thoroughly annotated by Omar Pound, translator, and bibliographer of Wyndham Lewis, and by A. Walton Litz of Princeton University, the author of studies of James Joyce, Wallace Stevens, and other modern writers. The book includes: a biographical appendix, with particular emphasis on lesser-known people mentioned in the letters; some unpublished early poems by Pound transcribed by Dorothy into one of her notebooks; family charts, one of which shows Pound's ancestral origins; numerous unpublished illustrations; and an extensive index.
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