Myths and realities of contemporary French theater : comparative views
Author(s)
Bibliographic Information
Myths and realities of contemporary French theater : comparative views
(Proceedings of the Comparative Literature Symposium, [17])
Texas Tech Press, 1985
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Proceedings of the Seventeenth Annual Comparative Literature Symposium, organized by Texas Tech University's Interdepartmental Committee on Comparative Literature, and held on February 29 through March 2, 1984"--T.p. verso
Includes bibliographies
Description and Table of Contents
Description
Myths and Realities of Contemporary French Theater contains the proceedings of the Seventeenth Annual Comparative Literature Symposium, held on February 29 through March 2, 1984.
Table of Contents
Is There Something Rotten in the State of French Theater? by Jeanyves Guerin Myths and Realities in Latin American Theater: The French Connection by George Woodyard Activist Theater in Minority Agricultural Milieux: California's El Teatro Campesino and Provence's Lo Teatre de la Carriera by Dan M. Church The Epic Theater in the Face of Political Oppression by Heidi I. Stull Brecht and Artaud: Their Impact on American Theater of the 1960s and 1970s by Ann T. Roberts Variations on the Theme of Cruelty in Spanish American Theater by L. howard Quackenbush Quest for Immobility: The Identification of Being and Non-Being in Jean Genet's The Balcony by Rufus Cook Spatial Narration in Jean Genet's Notre Dame des Fleurs and Le Balcon by Mary Ann Witt ""Goddess"" vs. ""Gyn / Ecologist"": A Comparative View of Antigone and La Folle de Chaillot by Marilyn V. Schuler Jean Giraudoux, a Believer of God or a Prophet of His Absence? by Moses M. Nagy Crime and Revolution in the Theater of Jean Genet by Gisele A. Child Bickel Toward a Dramatic Theory of Play: Artaud, Arrabal, and the Ludic Mode of Being by Nicole Dufresne
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