Black writers from South Africa : towards a discourse of liberation
著者
書誌事項
Black writers from South Africa : towards a discourse of liberation
Macmillan in association with St. Antony's College, Oxford, 1989
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliography
内容説明・目次
内容説明
This critical study examines the history and development of black writing in South Africa, analyzing the problems such writers encounter with the restrictions of apartheid and censorship. Emphasis is placed on the autobiographical form and its relationship with the struggle for liberation.
目次
- Part 1 The case for a new approach: the problems of the writer - material conditions, apartheid, censorship, the question of African tradition, the lack of literary tradition, problem of consciousness
- attempts to find solutions towards a new ideology of literature - a time of change - from protest to consciousness, a time for action - from consciousness to participation, a time for experiment - new attitudes to form, language, production and distribution
- criticism and black South African writing - black writing and literary theory, theories of artistic consciousness and socio-historical criticism. Part 2 Criticism as autobiography - the construction of a framework - Ezekiel Mphahlele: the west versus Africa
- negritude
- American black writing
- the African tradition
- Mphahlele and the Black Consciousness Movement
- the influence of Marxist cultural theory. Part 3 Autobiography: a question of function - autobiography as a self-making process, the autobiographer as spokesman, autobiography as outlet for racial violence, humour as a defence mechanism, nostalgia and exile, bearing witness
- the South African struggle with form - fragmented reality, restructuring reality, towards orthodox significant form, autobiography as novel - the hybrid form, life entire as autobiographical form. Part 4 Poetry as autobiography - Mongane Serote: individual development
- historical consciousness
- formal resolution
- from individual development to group consciousness. Part 5 Autobiography and the literature of combat: the early protest novels
- from liberation to liberation - the novel in the 1980s, Miriam Tlali - "Amandla", Sipho Sepamla - "A Ride on the Whirlwind", Mbulelo Mzamane - "The Children of Soweto", Mongane Serote - "To Every Birth its Blood".
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