The culture of print : power and the uses of print in early modern Europe
著者
書誌事項
The culture of print : power and the uses of print in early modern Europe
Polity, 1989
- タイトル別名
-
Les usages de l'imprimé
大学図書館所蔵 全34件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographies and index
Translation of: Les usages de l'imprimé
内容説明・目次
内容説明
This collective work offers an account of the cultural transformation brought about by the discovery and development of printing in Europe. After Gutenburg, all European culture was a culture of print which the printed work penetrated the entire web of social relations, touching people's deepest selves as well as claiming its place in the public sphere. In order to study this cultural form, the authors have been guided by three concerns. First, they have focussed primarily on printed matter other than books, such as broadsheets, flysheets and posters. Second, they have adopted a case study approach, examining particular texts or printed objects concerning specific events. Third, they have tried to understand the use of these materials by placing them within the local specific contexts which gave them meaning. The authors emphasize the multiplicity of ways in which printed materials were used in early modern Europe. Festive, ritual, cultic, civic and pedagogic uses were social activities and involved deciphering texts in a collective way, those who knew how to read leading those who did not.
Only gradually did these collective forms of appropriation give way to a practice of reading - privately, silently, using the eyes alone - which has become common today. This wide-ranging work opens up new historical and methodological perspectives on one of the most important transformations in Western culture. It is a collective work by a group of leading historians, including Roger Chartier, Alain Boureau, Marie-Elisabeth Ducreux, Christian Jouhaud, Paul Saenger and Catherine Velay-Vallentin, and it will become a focal point of debate for historians and sociologists interested in the culture and transformations which accompanied the rise of modern societies.
目次
- Foreword: print culture, Roger Chartier. Part 1 Print to capture the imagination: Franciscan piety and voracity - uses and strategems in the hagiographic pamphlet, Alain Boureau
- the hanged woman miraculously saved - an occasionnel, Roger Chartier
- tales as a mirror - Perrault in the Bibliotheque Bleue, Catherine Velay-Vallentin. Part 2 Religious uses: books of hours and the reading habits of the later Middle Ages, Paul Saenger
- from ritual to the hearth - marriage charters in 17th century Lyons, Roger Chartier
- reading unto death - books and readers in 17th century Bohemia, Marie-Elisabeth Decreux. Part 3 Political representation and persuasion: readability and persuasion - political handbills, Christian Jouhaud
- books of emblems on the public stage - Cote Jardin and Cote Cour, Alain Boureau
- printing the event - from La Rochelle to Paris, Christian Jouhaud.
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