Contemplating music : challenges to musicology
著者
書誌事項
Contemplating music : challenges to musicology
Harvard University Press, c1985
- : cloth
- : pbk
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780674166776
内容説明
"Contemplating Music" is a book for all serious music lovers. Here is the first full-scale of ideas and ideologies in music over the past forty years; a period during which virtually every aspect of music was transformed. With this book, Joesph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history. He treats not only the study of the history of Western art music--with which musicology is tradtionally equated--but also sometimes vexed relations between music history and other fields: music theory and analysis, ethnomusicology, and music criticism.
Kerman sees and applauds a change in the study of music towarda critical orientation, As examples, he presents a fascinating vignettes of Bach research in the 1950's and Beethoven studies in the 1960's. He sketched the work of prominent scholars and theorists: Thurston Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Miltion Babbit, and many others. And he comments on such various subjects as the amazing absorption of Stephen Foster's songs into the cannons of "black" music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of "The New Grove Dictionary of Music and Musicians."
"Comtemplating Music" is fulled with wisdom and trenchant commmentary. It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music.
- 巻冊次
-
: pbk ISBN 9780674166783
内容説明
With this book, Joseph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history. He treats not only the study of the history of Western art music-with which musicology is traditionally equated-but also sometimes vexed relations between music history and other fields: music theory and analysis, ethnomusicology, and music criticism.
Kerman sees and applauds a change in the study of music toward a critical orientation. As examples, he presents fascinating vignettes of Bach research in the 1950s and Beethoven studies in the 1960s. He sketches the work of prominent scholars and theorists: Thurston Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Milton Babbit, and many others. And he comments on such various subjects as the amazing absorption of Stephen Foster's songs into the canons of "black" music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of The New Grove Dictionary of Music and Musicians.
Contemplating Music is filled with wisdom and trenchant commentary. It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music.
目次
1. Introduction 2. Musicology and Positivism: the Postwar Years 3. Analysis, Theory, and New Music 4. Musicology and Criticism 5. Ethnomusicology and "Cultural Musicology" 6. The Historical Performance Movement 7. Coda Notes Main Works Cited Index
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