The lyric and modern poetry : Olson, Creeley, Bunting

Bibliographic Information

The lyric and modern poetry : Olson, Creeley, Bunting

Brian Conniff

(American university studies, Series IV, English language and literature ; vol. 60)

P. Lang, c1988

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Note

Bibliography: p. [205]-210

Includes index

Description and Table of Contents

Description

The lyric poem has long been considered a timeless form, and rigid lyric conventions inform most modern poetry and criticism. Yet these conventions are not indicative of anything essentially poetic; rather, they hide our culture's fundamental contempt for poetry, our refusal to take it seriously. They can help even a great poet to dismiss his own work as unimportant, as in the case of W.H. Auden; or they can provide the focus for an all-out attack on the Western metaphysical tradition, as in the case of Charles Olson. Because poets like Olson, Robert Creeley, Basil Bunting, and Louis Zukofsky question the assumptions most central to a lyric genre, it is their writing that best exposes, and best resists, our deep distrust of poetry.

Table of Contents

Contents: A deconstruction of lyric conventions, especially the convention of timelessness - The first book to consider, in these terms, modern poets like Olson, Creeley, and Bunting.

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