The art of interference : stressed readings in verbal and visual texts

Bibliographic Information

The art of interference : stressed readings in verbal and visual texts

Mary Ann Caws

Princeton University Press , Polity Press in association with B. Blackwell, 1989

  • : [Princeton]
  • : [New York]

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Note

Bibliography: p. [291]-317

Description and Table of Contents

Volume

: [Princeton] ISBN 9780691068398

Description

"Having the freedom of our perceptual conviction," writes Mary Ann Caws, "would mean the ability at once to challenge institutional presentations and individual visions and to invent our own fictions of seeing." In The Art of Interference Caws argues for a "personally passionate criticism," emphasizing that reading texts of literature and visual art can never be a fixed and closed process. She addresses the issues of how to look for, read, and know what is important when considering literary and visual works and how to establish relations and enhance "seeing" by such techniques as framing, bridging, fragmenting, integrating, and multiplying. These chapters are filled with Caws's own readings, which demonstrate the richness of connection-making. Written in a free, unpedantic style, this book opens up works to the imagination, making many original and significant connections between texts and art works. The author covers various movements in modern literature, art, and architecture, such as modernism, Dadaism, surrealism, concretism, and spatialism. In so doing, she draws relationships between painting and poetry, analyzing, among others, the work of Tintoretto, Van Gogh, Cornell, Stevens, Bataille, Mallarm, Derrida, and Arakawa.
Volume

: [New York] ISBN 9780745606583

Description

Arguing for "personally passionate criticism", the author is concerned with issues of how to look, how to read, and how to know what is important when considering texts or works of visual art, accentuating the enriching of "seeing" by techniques such as aging, framing, bridging, integrating and multiplying. The work discusses various movements in modern literature and art such as modernism, Dada, surrealism and concretism, spatialism and others. Connections are drawn between painting and poetry, analyzing among others the work of Tintoretto, Stevens, Arakawa, Cornell and Mallarme. This study will be of interest to those working in the areas of literary theory, aesthetics and cultural studies.

Table of Contents

  • Movements and Seeing - Modernism, Futurism, Dada, Surrealism, Concretism, Spatialism and Optical Poetry
  • Reading in Parallel
  • Showing and Telling.

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